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International
Committees
Comités Internationaux |
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CIMCIM
(Musical
Instrument Museums and Collections / Musées et collections
d'instruments de musique)
Check also/ Voir aussi: http://cimcim.icom.museum
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| Regional
Traditions in Instrument Making: Challenges to the Museum
Community Ed. by Martin Elste, Eszter Fontana and John
Koster |
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Including
papers read at the CIMCIM meeting, Nagycenk; Hungary,
September 1996. exploring regional variations in instrument
making, and the historical, geographical and environmental
factors which have determined them. The papers also
discuss the implications of these variations for museum
acquisition policies and the interpretation of collections.
CONTENTS
Preface: Sumi Gunji, Tokyo. Preserving a Violin-Making
Tradition in its Historial Context; Die Allemanische
Schule - Second Edition of Olga Adelmann's Monograph
- Annette Otterstedt. Berlin German Bow-Making Tradition
- a Wide Span in Quality, or: When is a Sow Worth Collecting
?. Rudof Hopfner, Vienna Violin Making m Berlin - Artists,
Craftsmen, Scholars and Businessmen: Martin Elste, Berlin.
Regional Schools of lnstrument-Making in France. their
Representation in Public Collections: Florence Gétreau,
Paris. Preserving Pennsylvania German Instruments..
Laurence Libin, New York. Traditions and Individualism
in Canadian Instrument Making. Carmelle Beágin. Hull,
Québec. Regional Tradition in the Making of Short-Necked
Lutes Sumi Gunji. Tokyo. The Vessel Flute in Ukraine-.
Raisa Husak. Kiev. Field Documentation of instrument
Making in Traditional Cultures. Collecting Interpretive
Data Based on an Example from the Guarijio Indians of
Mexico J. Richard Haefer, Tempe. Arizona Wood, Bronze
and Bamboo: Among Instrument Makers in Guichow Province,
China 1989: Hélène La Rue, Oxford. |
| CIMCIM
Publications, no.4, 1998, 82 p., ISSN 1019-9977
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9.00
GBP or 15 EUR
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To order / Pour commander :
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| The
Care of Historic Musical Instruments |
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ed. by Robert L. Barclay.
Edinburgh: Museums and Galleries Commission, Canadian
Conservation Institute and CIMCIM, 1997. 145 p.,
ill., bibl., index. ISBN 0-660-17116-3
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36.00 CAD or 25.00 GBP
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To
order / Pour commander :
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| Copies
of Historic Musical Instruments |
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Papers
read at the CIMCIM meeting Antwerp, July 1993, bringing
together members' experiences with copies of museum
instruments and exploring the philosophical and technical
problems of copying.
CONTENTS
Introduction: Jeannine Lambrechts-Douillez, Antwerp.
Reflections on the "Authenticity" of Musical Instruments:
Martin Lisle, Berlin. The ",Exact Copy " as a Legitimate
Goal - John Koster Vermillion, Measure for Measurement:
Eszter Fontana Budapest. Radiographing Musical Instruments.
a Useful .Method in Organological Research: Mia Awouters,
Brussels. The Provision of Plans: Jeremy Montagu, 0xford,
Materials-from Endangered Species in Musical instruments:
Laurence Libin, New York The Clavicytherium (c 1480)
and its "copy" in the Royal College of Music Museum.
London: Elizabeth Wells. London Building Biblical Instruments:
Nina Benzoor Haifa Israel. |
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CIMCIM Publications,
no. 3, 1994, 35 p. ISSN 1019-9977
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3.00 GBP or 5.00
EUR
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To
order / Pour commander :
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| Training
in Musical Instrument Conservation |
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This
publication addresses the needs for training in musical
instrument conservation by presenting the results of
a worldwide questionnaire survey, and by discussing
personal experiences with training in museums.
The publication is in three parts: "A Survey on Training
for Musical Instrument Conservators " which outlines
the findings from the questionnaire; a paper by Friedemann
Hellwig entitled "The Conservator of Musical Instruments:
A Critical Analysis of the Position and Tasks in the
Museum ",. and a second paper by John Koster entitled
''The Role of the Musical Instrument Conservator. " |
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CIMCIM
Publications, no. 2, 1994, 31 p. ISSN 1019-9977
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3.00 GBP or 5.00
EUR
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To
order / Pour commander :
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| Recommendations
for the Conservation of Musical Instruments : An Annotated
Bibliography |
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| CIMCIM
recognised the need for a document addressing conservation
and restoration of musical instruments after concerns
had been expressed that restorations continued to be
undertaken that were unacceptable ethically. Although
it was agreed that museum codes of ethics and other
published works already covered this ground it was nevertheless
felt that curators and restorers of musical instruments
did not necessarily have access to these publications.
This document was formulated to facilitate access to
relevant material. It consists of twenty annotated entries
on a wide range of musical instrument topics, including
care and maintenance, codes of ethics, safe practices,
and the concerns of display and performance. An address
list of all publishers referred to in the text is provided. |
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CIMCIM
Publications, no. 1, 1993, 19 p. ISSN 1019-9977
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3.00 GBP or 5.00
EUR
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To
order / Pour commander :
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| Recommandation
for Regulating the Access to Musical Instruments in
Public Collections |
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CIMCIM 1985.
Disponible également en français, espagnol, allemand,
italien, japonais / Also available in French, Spanish,
German, Italian, Japanese
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1.00 GBP or 2.00
EUR
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To
order / Pour commander :
Edinburgh
University Collection of Historic Musical Instruments,
Reid Concert Hall, Bristo Square,
Edinburgh EH8 9AG, Scotland,
United Kingdom.
Email : a.myers@ed.ac.uk
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| Preservation
and Restoration of Musical Instruments : Provisional
recommendations |
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A.
Berner, J.H. van der Meer and G. Thibault, with
the collab. of Norman Brommelle. Paris: ICOM, 1967,
77 p., ill.
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To
order / Pour commander :
Archetype
Books
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